Thursday, January 31, 2008

The Pillars of the Earth


The Pillars of the Earth
By Ken Follett


From Publishers Weekly
With this book, Follett risks all and comes out a clear winner, escaping the narrow genre of suspense thrillers to take credit for a historical novel of gripping readability, authentic atmosphere and detail and memorable characterization. Set in 12th-century England, the narrative concerns the building of a cathedral in the fictional town of Kingsbridge. The ambitions of three men merge, conflict and collide through four decades during which social and political upheaval and the internal politics of the church affect the progress of the cathedral and the fortunes of the protagonists. The insightful portrayals of an idealistic master builder, a pious, dogmatic but compassionate prior and an unscrupulous, ruthless bishop are balanced by those of a trio of independent, resourceful women (one of them quite loathesome) who can stand on their own as memorable characters in any genre. Beginning with a mystery that casts its shadow on ensuing events, the narrative is a seesaw of tension in which circumstances change with shocking but true-to-life unpredictability. Follett's impeccable pacing builds suspense in a balanced narrative that offers action, intrigue, violence and passion as well as the step-by-step description of an edifice rising in slow stages, its progress tied to the vicissitudes of fortune and the permutations of evolving architectural style. Follett's depiction of the precarious balance of power between monarchy and religion in the Middle Ages, and of the effects of social upheavals and the forces of nature (storms, famines) on political events; his ability to convey the fine points of architecture so that the cathedral becomes clearly visualized in the reader's mind; and above all, his portrayals of the enduring human emotions of ambition, greed, bravery, dedication, revenge and love, result in a highly engrossing narrative. Manipulating a complex plot in which the characters interact against a broad canvas of medieval life, Follett has written a novel that entertains, instructs and satisfies on a grand scale. 400,000 first printing; $400,000 ad/promo; Literary Guild main dual selection; author tour.
Copyright 1989 Reed Business Information, Inc. --This text refers to the Hardcover edition.

From Library Journal
A radical departure from Follett's novels of international suspense and intrigue, this chronicles the vicissitudes of a prior, his master builder, and their community as they struggle to build a cathedral and protect themselves during the tumultuous 12th century, when the empress Maud and Stephen are fighting for the crown of England after the death of Henry I. The plot is less tightly controlled than those in Follett's contemporary works, and despite the wealth of historical detail, especially concerning architecture and construction, much of the language as well as the psychology of the characters and their relationships remains firmly rooted in the 20th century. This will appeal more to lovers of exciting adventure stories than true devotees of historical fiction. Literary Guild dual main selection.
- Cynthia Johnson Whealler, Cary Memorial Lib., Lexington, Mass.
Copyright 1989 Reed Business Information, Inc. --This text refers to the Hardcover edition.


Giiny Comment :

Follett primary strength in the book is his magnificent characters. By the end, Prior Phillip, Aliena, Jack, Richard, "Witch" Ellen, William of Hamleigh, Waleran Bigod, and a host of supporting characters are as real as people you know. Their strengths and weaknesses feel as sound as earth. I've just reached the part where the Cathedral is finished, and its magnificent image, built in love, hardship, and devotion, colors the whole book like light through stained glass. And I suspect the ending will be as immensely "right" as the entire rest of the book in its proportion in spinning out complicated human lives and emotions.

Follett manages to write of an age of religious devotion without tumbling into the two pits - making fun of medieval Christian faith, or uncritically adopting it. An IMMENSELY satisfying read.

I could quibble with what I feel is some gratuitous sex, some slightly contrived plot twists, but that's like complaining about some flotsam in the river as you're going over Niagara.






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